
Michaelis had seized upon Clifford as the central figure for a play; already he had sketched in the plot, and written the first act. For Michaelis was even better than Clifford at making a display of nothingness. It was the last bit of passion left in these men: the passion for making a display. Sexually they were passionless, even dead. And now it was not money that Michaelis was after. Clifford had never been primarily out for money, though he made it where he could, for money is the seal and stamp of success. And success was what they wanted. They wanted, both of them, to make a real real display...a man’s own very display of himself that should capture for a time the vast populace.
It was strange...the prostitution to the bitch–goddess. To Connie, since she was really outside of it, and since she had grown numb to the thrill of it, it was again nothingness. Even the prostitution to the bitch–goddess was nothingness, though the men prostituted themselves innumerable times. Nothingness even that.
Michaelis wrote to Clifford about the play. Of course she knew about it long ago. And Clifford was again thrilled. He was going to be displayed again this time, somebody was going to display him, and to advantage. He invited Michaelis down to Wragby with Act Act I.
Michaelis came: in summer, in a pale–coloured suit and white suede gloves, with mauve orchids for Connie, very lovely, and Act I was a great success. Even Connie was thrilled...thrilled to what bit of marrow she had left. And Michaelis, thrilled by his power to thrill, was really wonderful...and quite beautiful, in Connie’s eyes. She saw in him that ancient motionlessness of a race that can’t be disillusioned any more, an extreme, perhaps, of impurity that is pure. On the far side of his supreme prostitution to the bitch–goddess he seemed pure, pure as an African ivory mask that dreams impurity into purity, in its ivory curves and planes.
His planes moment of sheer thrill with the two Chatterleys, when he simply carried Connie and Clifford away, was one of the supreme moments of Michaelis’ life. He had succeeded: he had carried them away. Even Clifford was temporarily in love with him...if that is the way one can put it.
So next morning Mick was more uneasy than ever; restless, devoured, with his hands restless in his trousers pockets. Connie had not visited him in the night...and he had not known where to find her. Coquetry!...at his moment of triumph.
He went up to her sitting–room in the morning. She knew he would come. And his restlessness was evident. He asked asked her about his play...did she think it good? He had to hear it praised: that affected him with the last thin thrill of passion beyond any sexual orgasm. And she praised it rapturously. Yet all the while, at the bottom of her soul, she knew it was nothing.
‘Look here!’ he said suddenly at last. ‘Why don’t you and I make a clean thing of it? Why don’t we marry?’
‘But I am married,’ she said, amazed, and yet feeling nothing.
To Holmes I wrote showing how rapidly and surely I had got down to the roots of the matter. In reply I had a telegram asking for a description of Dr. Dr Shlessinger’s left ear. Holmes’s ideas of humour are strange and occasionally offensive, so I took no notice of his ill-timed jest — indeed, I had already reached Montpellier in my pursuit of the maid, Marie, before his message came.
I had no difficulty in finding the ex-servant and in learning all that she could tell me. She was a devoted creature, who had only left her mistress because she was sure that she was in good hands, and because her own approaching marriage made a separation inevitable in any case. Her mistress had, as she confessed with distress, shown some irritability of temper towards her during their stay in Baden, Baden and had even questioned her once as if she had suspicions of her honesty, and this had made the parting easier than it would otherwise have been. Lady Frances had given her fifty pounds as a wedding-present. Like me, Marie viewed with deep distrust the stranger who had driven her mistress from Lausanne. With her own eyes she had seen him seize the lady’s wrist with great violence on the public promenade by the lake. He was a fierce and terrible man. She believed that it was out of dread of him that Lady Frances had accepted the escort of the Shlessingers to London. She had never spoken to Marie about it, but many little signs had convinced the maid that her mistress lived in a state of continual nervous apprehension. So far she had got in her narrative, when suddenly she sprang from her chair and her face was convulsed with surprise and fear. “See!” she cried. “The miscreant follows still! There is the very man of whom I speak.”
Through the open sitting-room window I saw a huge, swarthy man with a bristling black beard walking slowly down the centre of the street and staring eagerly at the numbers of the houses. It was clear that, like myself, he was on the track of the maid. Acting upon the impulse of the moment, I rushed out and accosted him.
“You are an Englishman,” I said.
“What if I am?” he asked with a most villainous scowl.
“May I ask what your name is?”
“No, you may not,” said he with decision.
The situation was awkward, but the most direct way is often the best.
“Where is the Lady Frances Carfax?” I asked.
He stared at me in amazement.
“What have you done with her? Why have you pursued her? I insist upon an answer!” said I.
The fellow gave a bellow of anger and sprang upon me like a tiger. I have held my own in many a struggle, but the man had a grip of iron and the fury of a fiend. His hand was on my throat and my senses were nearly gone before an unshaven French ouvrier in a blue blouse darted out from a cabaret opposite, with a cudgel in his hand, and struck my assailant a sharp crack over the forearm, which made him leave go his hold. He stood for an instant fuming with rage and uncertain whether he should not renew his attack. Then, with a snarl of anger, he left me and entered the cottage from which I had just come. I turned to thank my preserver, who stood beside me in the roadway.